In this day of the days of virtual days, rose gold 6s turned out.
Today, I want to share with you a picture, it is dizzying roses as the
main body, why the painter to move so much to describe so many roses
it? Hope that today's story can give your girlfriend some inspiration
Kazakhstan.
In a luxurious ancient palace with marble columns, the pink roses fall
with the white awning, and the lower guests play in the flowers, and
everything around them seems to have been covered by rose petals, white
leather cushions, Exquisite couches, fruit, glass in the petals if the
shadow if the present. On the high platform, dressed in gorgeous,
wearing a corolla of the guests lying on the couch, surrounded by fruit
filled with gorgeous table in front of the table. On their left side,
there is a woman wearing a leopard skin is playing flute, accompanied
by her side incense curl white smoke we seem to feel it seems that a
body is in full swing, the United States is not kidney The
Sir Lawrence Alma-Tadema, The Roses of Heliogabalus, 1888
Sir Lawrence Alma-Tadema art reproductions paintings for sale
When our line of sight is filled with pink rose petals, a kind of girl
to be like, sigh "wow, really good romance, just the United States Cry!"
As our eyes converge between different characters, we seem to be able
to sniff out the unusualness of the painting. I can not help but ask:
are they really playing happily? Is it as good as what we thought so
good?
When our line of sight was overwhelmingly rose petals fascinated eyes,
a closer look, it seems that there are many petals we have just ignored
the face.
The roses in the sea, the left is like a man in swimming, in fact,
pressed on his back a lot of roses made him overwhelmed, from his hard
to seize the white cushions of the hand, revealing his efforts to
struggle, but little effect. Under him, we vaguely glimpse a girl's
face, most of her body has been covered with rose petals. Although she
seemed to laugh at her mouth, she did not seem to realize that the
danger was approaching, she was looking at the picture sluggishly, or
that she had resigned. And her side of the man, back to us, try to hold
up the upper body, the hands still holding grapes, watching the
high-profile people, seems to be a kind of inquiry, the sudden
occurrence of all the uncertainty and doubts.
And in their right hand side of the woman, ye think that she is
wandering in the flowers, but her right hand holding the left hand to
catch the fan to protect the head of the action, you can infer that she
may have realized the risk of petals. She looked at her not far from
the woman, the woman seems to worry about the eyes staring at us.
At this time, people in high platform. Wearing a golden robe, wearing a
crown of the king, looking blankly all this. And other people on the
high platform, are interested in looking at all this. In particular,
holding a green cup wearing a crown, you think he is a woman in fact he
is a man, from his eyes hooked out of the excitement of this scene. And
all this are behind them in charge of drinking body music, extravagant
and charming wine god Dionysus's gaze.
So, we can not help but ask, what exactly is happening here?
In fact, this is a king watching the death show. The petals will
continue to fall, drowned in the foreground of men and women, until
some of them, so suffocated. The painting presents the brutal rule of
the Roman teenager, H¨¦liogabale (203-222, during the reign of 218 to
222, between 15 and 19 years of age), and the painter is based on the
story of the book named Historia Augusta. The book tells the story of
the ancient Roman Emperor H¨¦liogabale let the servant put a large
number of violet petals and other petals on the shade of the tarpaulin,
then pull the tarpaulin so that the petals drowned guests, and the
guests suffocated. Watching the guests were drowned petals, is the
little emperor's special hobby.
In this picture, the artist replaces the violet and other flowers with
the rose, which emphasizes the strong contrast between beauty and
cruelty, whether it is a strong flower in Britain or in ancient Rome.
But why should the painter use the beautiful style to show such a
horrible scene?
This is the British Victorian famous painter Lawrence Alma-Tadema in
1888 at the British painter Academy of Fine Arts exhibition works.
Alma-Tadema specializes in the accurate reproduction of ancient scenes.
The details of the painting have a large number of archaeological data
support, he hopes to describe the details of this show through the
details of the authenticity. Small to marble texture, color, slightly
transparent texture, furniture, decorative details, the character of
the wear, rich habits, large to the character image, exhaustive. Such
as people used to wear robes, wearing corolla (plants), like lying and
eating party.
Whether it is the king H¨¦liogabale, or on the left side of H¨¦liogabale,
it looks a little older but still dressed in graceful woman, his
grandmother, Julia Masea. Or H¨¦liogabale opposite the dressed ivy crown
pink sister, his mother, Julia Soemias. Or the young girl wearing a
white rose corolla is H¨¦liogabale's second wife, Annia Faustina.
The statue of Dionysus behind them was drawn according to Le Dionysos
du Palazzo Altemps de Rome. Saying that the carving is that Dionysus
and his little lover Ampelos, some say it may be hinted at
H¨¦liogabale's homosexual tendencies. In addition, the roses are painted
according to the three boxes of roses drawn from Riviera to London
every week.
At that time the European blowing a wave of retro, because the ancient
city of Pompeii this retro is not back, coupled with the Egyptian
temple marble and other ancient Greek artifacts appeared in the United
Kingdom, but also based on the Victorian abstinence and strict moral
standards of oppression, To make people want to go to another time and
space, such as the ancient Greek ancient Rome, seeking comfort. There
is also an important reason, I think is due to the industrial
revolution in Britain produced a lot of upstart, and these rely on
manufacturing and industrial fortune of the upstart, the ancient Greek
and Roman traditional aristocratic society is full of myth. They can
enjoy the history of knowledge at the same time, and these can also be
talked with people to talk about, showing that they are art connoisseur
and have profound knowledge of the historical knowledge.
But why is the restoration here with the neoclassicalism we saw before
such as [how to make a tricks for the leader? The kind of want to tell
us the point of virtue or a little educational sense of feeling
different? The painter Alma-Tadema has shown a beautiful appearance and
a cruel reality.
As the first half of Europe in the 19th century, retro trend
accompanied by the rise of the aesthetic movement in France. The slogan
of the aesthetic movement is: art for art. They argue that beauty is
separated from truth and goodness, that art can exist independently and
should not be associated with morality. This movement, undoubtedly to
be Victorian period of extreme justice and moral constraints of the
British, sent to the moral standards can be a major positive and
theoretical confidence. Therefore, the art world also appeared
depicting the "jealousy", "evil" scene. The painter's black history
painting, the sale is very good. Once the picture was exhibited, it
became the representative of the decadent taste. In particular, the
painting is full of roses, decadent people think that spent life in the
plant world soon transition to death, giving a sense of vulnerability
and weakness.
Alma-Tadema's paintings are often ancient dark, cruel scenes, but we
seem to be in his paintings basically saw only one of the ancient world
portrayed as full of joy, a clean, flawless, bustling extravagant.
Finally, I would like to say that this picture is more than the usual
size of the artist, 132.7 cm high, 214.4 cm wide, when you face this
picture, as the audience of your position, it is filled with rose
petals Flowers, and flowers in the woman seems to be in communication
with you. The man behind her is in the picture, but it is clearly
different from the other Roman brown hairs in the painting. He is
holding a beard and keep his golden hair, which is the painter
Alma-Tadema himself. The painter in the picture is like a complainant
in general, glaring at what happened, as if to want to tell the British
audience in the second half of the 19th century, the ancient Roman
decline period and the British decadence period is no different, and
the audience you Flowers are about to die of men and women, I do not
know the danger is close.
--- Released from iPhone 6s Plus 128G Rose Gold Client
